Depth of Field Calculator
Depth of Field =
Hyperfocal Distance
Near Limit
Far Limit
Total DoF
Hyperfocal Distance
Near Limit
Far Limit
Total DoF
Portrait
Portrait photographers often want a very shallow focus zone for eyes-only sharpness and soft background blur.
This is the classic portrait setup for isolating a subject from the background with strong bokeh.
Landscape
Wide-angle landscape shooting usually aims for deep focus rather than strong background blur.
This is the kind of setup where photographers start thinking about hyperfocal distance and depth planning.
Wildlife / Sports
Long telephoto lenses compress depth of field quickly, especially when the subject is moving.
Telephoto depth-of-field estimates are useful for field sports, wildlife, and stage photography where subject distance changes fast.
The hyperfocal distance is the closest focus distance that still keeps infinity acceptably sharp. When you focus there, depth of field stretches from about half the hyperfocal distance to infinity.
H = f² / (N × C) + f
The near limit is the closest point that still appears acceptably sharp when you focus at subject distance u. Anything closer than this line starts to fall out of focus.
Dn = u × (H − f) / (H + u − 2f)
The far limit is the farthest point that still appears sharp. Once the focus distance reaches or exceeds the hyperfocal distance, the far limit extends to infinity.
Df = u × (H − f) / (H − u)
Depth of field is the zone in front of and behind your focus point that still looks acceptably sharp in a photograph. It depends on four core inputs: focal length, aperture, subject distance, and the circle of confusion tied to sensor format. Wider apertures like f/1.8 reduce the depth-of-field range, longer lenses compress it, and focusing closer to the subject makes it thinner still. Stopping down to smaller apertures such as f/8 or f/11 increases the sharp range, especially with shorter focal lengths and more distant subjects. This calculator combines those factors to estimate hyperfocal distance plus the near and far limits around your chosen focus distance.
You are shooting a portrait with an 85mm lens at f/1.8 on a full-frame camera, focused 8 feet away. What is the depth of field?
This is why wide-aperture portraits often have sharp eyes but quickly blurred ears, hair, and background details.
The circle of confusion is the acceptable blur diameter used to decide whether a point still looks sharp in the final image. Larger sensors typically use a larger circle of confusion and behave differently from smaller sensors when you match framing. Hyperfocal distance is especially important for landscape photographers, while shallow near/far limits are more relevant for portrait, macro, and wildlife work. Background blur is related to depth of field, but it is not identical: composition, background distance, focal length, and magnification all influence the final look of bokeh.
Depth of field is the range in front of and behind your focus point that still appears acceptably sharp in the final image.
Aperture, focal length, subject distance, and sensor-format circle of confusion all matter. Wide apertures, long lenses, and close subject distances usually make depth of field shallower.
Hyperfocal distance is the closest focus distance that still keeps infinity sharp. When you focus there, depth of field extends from roughly half that distance out to infinity.
For matched framing and aperture, larger sensors usually produce shallower depth of field because they use a longer focal length or closer camera position to get the same composition.
Wide apertures shrink the depth of field, which helps isolate the subject from the background and creates stronger background blur.
That happens when your focus distance reaches or exceeds the hyperfocal distance. In that case, everything from the near limit to infinity is acceptably sharp.
Not exactly. Depth of field describes the sharp zone around the focus plane, while background blur also depends on subject-background separation, focal length, and framing.
Yes. The calculator includes different circle-of-confusion values for full-frame, APS-C, and APS-H formats so you can compare common sensor sizes.
Reference: Depth-of-field estimates use focal length, aperture, subject distance, and sensor-format circle of confusion to compute hyperfocal distance plus near and far focus limits.